Tinker, Tailor, Soldier, Spy

December 2, 2011 by  
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Based on the classic novel of the same name, the international thriller is set at the height of the Cold War years of the mid-20th Century. George Smiley (Gary Oldman), a disgraced British spy, is rehired in secret by his government – which fears that the British Secret Intelligence Service, a.k.a. MI6, has been compromised by a double agent working for the Soviets.

Opens in select cities December 9, 2011.

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Kung Fu Panda 2

May 16, 2011 by  
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Po is now living his dream as The Dragon Warrior, protecting the Valley of Peace alongside his friends and fellow kung fu masters, The Furious Five – Tigress, Crane, Mantis, Viper and Monkey. But Po’s new life of awesomeness is threatened by the emergence of a formidable villain, who plans to use a secret, unstoppable weapon to conquer China and destroy kung fu. It is up to Po and The Furious Five to journey across China to face this threat and vanquish it. But how can Po stop a weapon that can stop kung fu? He must look to his past and uncover the secrets of his mysterious origins; only then will he be able to unlock the strength he needs to succeed.

Opens Thursday, May 26.

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Red Riding Hood

February 28, 2011 by  
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From director Catherine Hardwicke (“Twilight,” “Thirteen,” “Lords of Dogtown”) comes the romantic fantasy thriller “Red Riding Hood.”

The film features an ensemble cast, led by Amanda Seyfried (“Letters to Juliet,” “Mamma Mia!”) in the title role. The film also stars Gary Oldman (“The Dark Knight,” the “Harry Potter” films), Billy Burke (the “Twilight” films), Shiloh Fernandez (“Skateland”), Max Irons (“Dorian Gray”), Oscar® nominee Virginia Madsen (“Sideways”), and Oscar® winner Julie Christie (“Away from Her,” “Darling”).

In “Red Riding Hood,” Seyfried plays Valerie, a beautiful young woman torn between two men. She is in love with a brooding outsider, Peter (Shiloh Fernandez), but her parents have arranged for her to marry the wealthy Henry (Max Irons). Unwilling to lose each other, Valerie and Peter are planning to run away together when they learn that Valerie’s older sister has been killed by the werewolf that prowls the dark forest surrounding their village.

For years, the people have maintained an uneasy truce with the beast, offering the creature a monthly animal sacrifice. But under a blood red moon, the wolf has upped the stakes by taking a human life. Hungry for revenge, the people call on famed werewolf hunter, Father Solomon (Gary Oldman), to help them kill the wolf. But Solomon’s arrival brings unintended consequences as he warns that the wolf, who takes human form by day, could be any one of them.

As the death toll rises with each moon, Valerie begins to suspect that the werewolf could be someone she loves. As panic grips the town, Valerie discovers that she has a unique connection to the beast—one that inexorably draws them together, making her both suspect…and bait.

Opens March 11th.

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Review – The Book of Eli (spoilers!)

January 15, 2010 by  
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book_of_eli-8“The Book of Eli” is a film ruled by its religious conviction. So in the opinion of a secular critic such as myself, it’s hard not to consider elements of the film to be laughably ridiculous. Now in my defense, there are films about religion and/or faith that I’ve enjoyed immensely (example: Martin Scorsese’s brilliant The Last Temptation of Christ), but this is not one of them.

[Warning - SPOILERS] The film begins with a wanderer named Eli who walks on foot across a desolate post-nuclear America. Eli is played by Denzel Washington who looks a bit too heavy for someone who exercises all day long, has very little water to drink, and is forced to eat hairless cats for sustenance. After eating the kitty, he happens upon a group of hooligans who try to kill him for water and/or whatever else he may possess. Eli pulls out a large knife and quickly dispatches every bad guy, superhero style. Soon after, he wanders upon a derelict town where he attempts to get his battery recharged (literally, in order to power his iPod) and his water canteen refilled. The people of this lawless town are ruled by Carnegie (Gary Oldman). Oldman, an actor who in my opinion can almost do no wrong, creates the most interesting character in the movie; which, sadly, isn’t saying much because he isn’t given great material to work with. Carnegie is your standard bad guy who is in a quest to find what is supposedly the last copy of the Bible. He feels that quoting scripture is going to give him the power to have greater control over the people of the town and, in turn, territories beyond. I should point out that it is explained that in this post-apocalyptic world, all of the survivors banded together thirty years ago to burn every copy of the Bible because it is believed that the Bible was the cause of the nuclear annihilation in the first place. How all the survivors of the earth were able to communally decide to do this is beyond me. How did they contact each other to discuss this? And what about language barriers?

Anyway, as Eli is waiting for his water canteen to be filled he has an argument with another bad guy. This leads to another scene of SuperEli killing everyone with speed and dexterity. I think there are certain actors who just can’t do certain things. For me, I don’t think Denzel Washington plays a bad-ass very well. There’s something about his acting style, personality or whatever that just makes it hard for me to see him as believable. Now don’t get me wrong, I do think he’s a good actor in some movies, but not ones like this. I don’t think he ever should have won the Academy Award for “Training Day.” It should have gone to Ethan Hawke, who gave a much better performance in the same film in a role infinitely more complex. But I digress… Carnegie is pissed that Eli’s killed so many of his men, so he jails Eli when he won’t agree to work for Carnegie. Later that night Carnegie sends the young Solara to have sex with Eli in order to convince him to join up. Solara is played by Mila Kunis, whose eyebrows are a bit too plucked and shaped for someone in this post-apocalyptic hell. Solara discovers that Eli has the mystical last copy of the Bible with him and he teaches her how to pray. She does this without question, even though her character really would have no idea what the heck he’s talking about.

The next day Eli escapes. It is not explained how he escapes, so let’s just consider this Miracle #1. Eli is going west, you see, because he has a feeling that is where he needs to bring the Bible. Solara chases after him and Eli reluctantly agrees to let her join. Carnegie and his men join the chase as well; yet they seem to have a hard time catching up even though they are driving vehicles. Eventually Eli and Solara happen upon a still-intact house out in the middle of nowhere. They go to investigate and find an older couple (“Harry Potter” alumni Michael Gambon & Frances de la Tour) living there. After realizing that the older couple are cannibals, Eli and Solara attempt to leave. Their escape is cut short as Carnegie and his men suddenly arrive. A massive gun battle ensues, killing many of the bad guys, as well as the older couple. Eventually Eli is trapped and once he surrenders his Bible Carnegie shoots him in the stomach. Carnegie and the men take the Bible and Solara and head back to town. Through outrageous circumstances Solara escapes with a vehicle. She arrives back at the house to find Eli is missing. She finds him walking west. Apparently, he is not dead. We’ll call that Miracle #2.

Back in town Carnegie finally opens the Bible, which had been locked like a child’s diary, to discover that it is written in Braille. (Apparently Eli reads Braille? And, considering how thick the Braille pages are, how can the small book be the entire King James Bible?) Meanwhile, Solara and Eli continue west. (Yes, he’s still alive.) Eventually they reach San Francisco. Somehow Eli knows that they need to go to Alcatraz Island. They get in a boat and Solara lets Eli row…even though he has a bullet in his stomach. On the island is a group of seemingly more civilized people who have a printing press and want to make copies of the Bible. Since he no longer has his copy, Eli recites the entire Bible to them. Yes, you read that correctly, he dictates the entire contents of the Bible to them, word for word. While he does this, they apparently decide he’d look better with a shave because they remove all the hair from his head and scalp and put him in a nice robe. One might assume they’ve done something about the bullet in his stomach, but it’s not clarified. Anyway, once he finishes his recitation he dies. They invite Solara to stay on their civilized island, but she grabs Eli’s big knife and decides she’s going to go out and be a warrior for God.

There are a couple of things this movie is trying to say: 1. A world without the Bible (ergo, without God) is a lawless, despicable hellhole. After all, the people of the world have had 30 years since the abolition of the Bible to become civilized and they have not. 2. Only the Bible (God) will bring peace to the world. (Ironically, the Alcatrazians were civilized and peaceful before Eli arrived, which disproves the movie’s own theories.) Now, I ask, how different is the filmmaker’s role from the proselytizing Carnegie planned on doing? And how are we to correlate the extreme violence in the film with its message of peace (particularly, Solara’s ultimate decision to kick-ass for God)? This film is propaganda at its worst.

The Dark Knight

July 1, 2008 by  
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In theatres and IMAX on July 18

“The Dark Knight” reunites director Christopher Nolan with star Christian Bale, who returns to continue Batman’s war on crime. With the help of Lieutenant Jim Gordon (Gary Oldman) and District Attorney Harvey Dent (Aaron Eckhart), Batman sets out to destroy organized crime in Gotham for good. The triumvirate proves to be effective, but they soon find themselves prey to a rising criminal mastermind known as the Joker (Heath Ledger), who thrusts Gotham into anarchy and forces the Dark Knight ever closer to crossing the fine line between hero and vigilante. Read more