Hello Two Thousand-11!

Happy New Year one and all! And what a year 2010 was. We ended things with a *bang!* getting 50,000 hits in the month of December. Our heartfelt thanks to you for making that milestone possible.

If you haven’t already taken a look at our Featured Profiles for Garrett Hedlund (by new contributor Laura), Cam Gigandet (by RioKitty) and Ben Barnes (by ClaireW) check them out. You just might find your next obsession.

We have a new poll up. Do you think you can predict what will be the Best Picture of 2010? Get in there and vote!

Are you curious who were the most visited Ones2Watch4 profiles of 2010? Well wonder no longer:

1. Matthew Goode
2. Joseph Gordon-Levitt
3. Cam Gigandet
4. James Marsden (soon to be seen on Modern Family!)
5. Josh Duhamel

Off we go into 2011! As always we love suggestions on who we should profile and welcome new contributors. Stay classy World Wide Web.

Review – A Single Man

A Single Man is a movie that I have a serious love/hate relationship with. But before I continue, I must warn you that this will be a spoiler-filled review, as it is impossible to detail my major complaint with the film without discussing the scene in question.

A Single Man is a beautiful film about grief and moving on. It centers on George (Colin Firth), who plays a British-born English professor living and working in Los Angeles in the 1960’s. His long-term partner (Matthew Goode) dies a sudden tragic death and he is forced to move on. That’s pretty much it, as plot goes. It’s basically a day in his life…how he deals with his grief and how the various interactions he has with people that day shape and change his outlook.

The film is directed by Tom Ford, who was already a famous fashion designer before he decided to get behind the camera and make this movie. As first-time filmmakers go, this is quite a debut. The film is exquisitely painted and gorgeously photographed. He uses various recurring motifs such as clocks and close-ups of people’s eyes. (But don’t ask me to explain the reasoning behind that!) The costumes and set design are impeccable, re-creating the 1960’s to great detail. All of the performances are amazing in this movie, starting with the best: Colin Firth. I believe this is by far the best performance he has given to date and I would be quite pleased if it led him to an Academy Award. Julianne Moore gives a rollicking fun yet brief performance as George’s next-door-neighbor, best friend and fellow expatriate. Also wonderful is Nicholas Hoult as a student who enters George’s life at the right place and time.

This is one of the best films I have ever seen in regards to showing how people deal with grief. It is impossible to watch the film without your heart breaking for George. To see him left alone, unable to see his lover again or even attend the funeral. To watch as he so resolutely tries to go on with his life and retain his composure. To see the profound loss and loneliness he feels that leads him towards suicide. And it fills your heart with joy to watch him fill that hole in his heart, even if only a little bit…enough to keep him from pulling that trigger. You watch him discover that even in the darkest pit of despair, there is hope and see him find new love, wherever it may lead him. And then, after this glorious rebirth, he dies. THIS is my problem with the movie.

I have many problems with this ending. First, I think it does a major disservice to everything that comes before it in the movie. The story was told and a beautiful story it was. So to tack on a “kill the puppy” ending is just ridiculous. Some people may argue that this is the way the story ended in the book by Christopher Isherwood, which this film is based on. But I’ve never read the book so I have no idea if the ending is the same, and I feel the movie should stand on its own merits anyway. Killing off George after seeing his epiphanic transformation is just insulting…especially for someone like me. As a gay man I have spent my whole life needing positive gay male images in my life (as anyone in a minority group would need). Mostly I’ve been stuck with the funny sidekick or, sadly, tortured souls and lecherous villains. I think that’s why this movie hit me so hard. It’s a masterfully crafted piece about a very realistic gay character dealing with grief and overcoming it. To kill him off just adds to the age-old trend of gay characters never achieving happiness.

Leap Year

From the official site: Amy Adams and Matthew Goode star in LEAP YEAR, a romantic comedy that follows one woman’s determined quest to get married to the perfect guy…despite what fate has in store for her.

When their four-year anniversary passes without a marriage proposal, Anna (Amy Adams) decides to take matters into her own hands. Investing in an Irish tradition that allows women to propose to men on February 29th, Anna decides to follow her boyfriend Jeremy (Adam Scott) to Dublin and get down on one knee herself.

But airplanes, weather and fate leave Anna stranded on the other side of Ireland, and she must enlist the help of handsome and surly Declan (Matthew Goode) to get her across the country. As Anna and Declan bicker across the Emerald Isle, they discover that the road to love can take you to very unexpected places.

Open January 8th.

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A Single Man

From the Weinstein Company site: A SINGLE MAN is based on the novel of the same name by Christopher Isherwood. Set in Los Angeles in 1962, at the height of the Cuban missile crisis, it is the story of a British college professor (Colin Firth) who is struggling to find meaning to his life after the death of his long time partner. The story is a romantic tale of love interrupted, the isolation that is an inherent part of the human condition, and ultimately the importance of the seemingly smaller moments in life.

A SINGLE MAN is produced by Tom Ford through his Los Angeles based production company, Fade to Black, in association with Chris Weitz and Andrew Miano of Depth of Field, and Robert Salerno of Artina Films. The screenplay is written by Tom Ford and David Scearce.

Open limited release December 11th.