Friends with Benefits

Dylan (Justin Timberlake) and Jamie (Mila Kunis) think it’s going to be easy to add the simple act of sex to their friendship, despite what Hollywood romantic comedies would have them believe. They soon discover however that getting physical really does always lead to complications.

Opens in theaters July 22nd.

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Black Swan

A psychological thriller set in the world of New York City ballet, BLACK SWAN stars Natalie Portman as Nina, a featured dancer who finds herself locked in a web of competitive intrigue with a new rival at the company (Mila Kunis). A Fox Searchlight Pictures release by visionary director Darren Aronofsky (THE WRESTLER) BLACK SWAN takes a thrilling and at times terrifying journey through the psyche of a young ballerina whose starring role as the Swan Queen turns out to be a part for which she becomes frighteningly perfect.

BLACK SWAN follows the story of Nina (Portman), a ballerina in a New York City ballet company who’s life, like all those in her profession, is completely consumed with dance. She lives with her retired ballerina mother Erica (Barbara Hershey) who zealously supports her daughter’s professional ambition. When artistic directer Thomas Leroy (Vincent Cassel) decides to replace prima ballerina Beth Macintyre (Winona Ryder) for the opening production of their new season, “Swan Lake”, Nina is his first choice. But Nina has competition; a new dancer, Lily (Kunis), who impresses Leroy as well. Swan Lake requires a dancer who can play both the White Swan with innocence and grace, and the Black Swan, who represents guile and sensuality. Nina fits the White Swan role perfectly but Lily is the personification of the Black Swan. As the two young dancers expand their rivalry into a twisted friendship, Nina begins to get more in touch with her dark side with a recklessness that threatens to destroy her.

Opens Friday, December 3rd.

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Review – The Book of Eli (spoilers!)

“The Book of Eli” is a film ruled by its religious conviction. So in the opinion of a secular critic such as myself, it’s hard not to consider elements of the film to be laughably ridiculous. Now in my defense, there are films about religion and/or faith that I’ve enjoyed immensely (example: Martin Scorsese’s brilliant The Last Temptation of Christ), but this is not one of them.

[Warning - SPOILERS] The film begins with a wanderer named Eli who walks on foot across a desolate post-nuclear America. Eli is played by Denzel Washington who looks a bit too heavy for someone who exercises all day long, has very little water to drink, and is forced to eat hairless cats for sustenance. After eating the kitty, he happens upon a group of hooligans who try to kill him for water and/or whatever else he may possess. Eli pulls out a large knife and quickly dispatches every bad guy, superhero style. Soon after, he wanders upon a derelict town where he attempts to get his battery recharged (literally, in order to power his iPod) and his water canteen refilled. The people of this lawless town are ruled by Carnegie (Gary Oldman). Oldman, an actor who in my opinion can almost do no wrong, creates the most interesting character in the movie; which, sadly, isn’t saying much because he isn’t given great material to work with. Carnegie is your standard bad guy who is in a quest to find what is supposedly the last copy of the Bible. He feels that quoting scripture is going to give him the power to have greater control over the people of the town and, in turn, territories beyond. I should point out that it is explained that in this post-apocalyptic world, all of the survivors banded together thirty years ago to burn every copy of the Bible because it is believed that the Bible was the cause of the nuclear annihilation in the first place. How all the survivors of the earth were able to communally decide to do this is beyond me. How did they contact each other to discuss this? And what about language barriers?

Anyway, as Eli is waiting for his water canteen to be filled he has an argument with another bad guy. This leads to another scene of SuperEli killing everyone with speed and dexterity. I think there are certain actors who just can’t do certain things. For me, I don’t think Denzel Washington plays a bad-ass very well. There’s something about his acting style, personality or whatever that just makes it hard for me to see him as believable. Now don’t get me wrong, I do think he’s a good actor in some movies, but not ones like this. I don’t think he ever should have won the Academy Award for “Training Day.” It should have gone to Ethan Hawke, who gave a much better performance in the same film in a role infinitely more complex. But I digress… Carnegie is pissed that Eli’s killed so many of his men, so he jails Eli when he won’t agree to work for Carnegie. Later that night Carnegie sends the young Solara to have sex with Eli in order to convince him to join up. Solara is played by Mila Kunis, whose eyebrows are a bit too plucked and shaped for someone in this post-apocalyptic hell. Solara discovers that Eli has the mystical last copy of the Bible with him and he teaches her how to pray. She does this without question, even though her character really would have no idea what the heck he’s talking about.

The next day Eli escapes. It is not explained how he escapes, so let’s just consider this Miracle #1. Eli is going west, you see, because he has a feeling that is where he needs to bring the Bible. Solara chases after him and Eli reluctantly agrees to let her join. Carnegie and his men join the chase as well; yet they seem to have a hard time catching up even though they are driving vehicles. Eventually Eli and Solara happen upon a still-intact house out in the middle of nowhere. They go to investigate and find an older couple (“Harry Potter” alumni Michael Gambon & Frances de la Tour) living there. After realizing that the older couple are cannibals, Eli and Solara attempt to leave. Their escape is cut short as Carnegie and his men suddenly arrive. A massive gun battle ensues, killing many of the bad guys, as well as the older couple. Eventually Eli is trapped and once he surrenders his Bible Carnegie shoots him in the stomach. Carnegie and the men take the Bible and Solara and head back to town. Through outrageous circumstances Solara escapes with a vehicle. She arrives back at the house to find Eli is missing. She finds him walking west. Apparently, he is not dead. We’ll call that Miracle #2.

Back in town Carnegie finally opens the Bible, which had been locked like a child’s diary, to discover that it is written in Braille. (Apparently Eli reads Braille? And, considering how thick the Braille pages are, how can the small book be the entire King James Bible?) Meanwhile, Solara and Eli continue west. (Yes, he’s still alive.) Eventually they reach San Francisco. Somehow Eli knows that they need to go to Alcatraz Island. They get in a boat and Solara lets Eli row…even though he has a bullet in his stomach. On the island is a group of seemingly more civilized people who have a printing press and want to make copies of the Bible. Since he no longer has his copy, Eli recites the entire Bible to them. Yes, you read that correctly, he dictates the entire contents of the Bible to them, word for word. While he does this, they apparently decide he’d look better with a shave because they remove all the hair from his head and scalp and put him in a nice robe. One might assume they’ve done something about the bullet in his stomach, but it’s not clarified. Anyway, once he finishes his recitation he dies. They invite Solara to stay on their civilized island, but she grabs Eli’s big knife and decides she’s going to go out and be a warrior for God.

There are a couple of things this movie is trying to say: 1. A world without the Bible (ergo, without God) is a lawless, despicable hellhole. After all, the people of the world have had 30 years since the abolition of the Bible to become civilized and they have not. 2. Only the Bible (God) will bring peace to the world. (Ironically, the Alcatrazians were civilized and peaceful before Eli arrived, which disproves the movie’s own theories.) Now, I ask, how different is the filmmaker’s role from the proselytizing Carnegie planned on doing? And how are we to correlate the extreme violence in the film with its message of peace (particularly, Solara’s ultimate decision to kick-ass for God)? This film is propaganda at its worst.

Extract

From the official site: In EXTRACT, writer/director Mike Judge (“Beavis and Butt-Head,” “King of the Hill”) returns to the fertile territory of the American workplace, rotating his perspective away from the white collar cubicle warriors of  Office Space and towards a blue collar boss – a small business owner – who employs an odd cast of losers, loners and misfits in his flavor extract factory.

To the outside eye, Joel Reynold (Jason Bateman) seems to have everything. After all, being the owner of a business he built from the ground up – with its patented brand of culinary extracts – should make the “Extract King” a happy man.

However, if Joel hasn’t reached his front door by 8 o’clock, he’ll find his wife, Suzie (Kristen Wiig) cinching up her sweatpants – and about as interested in him as he is in her mastery of supermarket coupon design. Sexually frustrated, Joel confides in his best pal, Dean (Ben Affleck), a barkeep – and soon finds himself wrapped up in a convoluted scheme to make Suzie cheat on him first with a dim-witted gigolo (Dustin Milligan) – thereby allowing him to pursue beautiful new employee Cindy (Mila Kunis) with a clear conscience. Unbeknownst to Joel, the object of his affections is a con artist/sociopath – just one step away from having her parole revoked.

Meanwhile, Joel and his second-in-command, Brian (J.K. Simmons) have entered negotiations for a buyout of Reynold Extracts by General Mills. All they need to do is keep things tidy, quiet and moving while waiting for the final offer. Of course, this fails to take into account the employees on the factory floor: Step (Clifton Collins, Jr.), a machismo-ridden doofus and self-proclaimed “fastest sorter” with lofty aspirations of rising to Floor Manager; Rory (T.J. Miller), a goth-rock geek who spends more time passing out flyers for his band than shuffling extract bottles; and Mary (Beth Grant), a fanny-packed, bitter slouch at the end of the assembly line who’d rather fold her arms and shake her head than keep life at Reynold moving along – which is exactly what she’s doing when a bottleneck occurs on the line, resulting in a chain of accidents that cost poor Step a portion of his manhood.

Seeing a big payday, the con-artist temp woos the otherwise-loyal Step, convincing him to sue for millions, engaging bus bench lawyer Joe Adler (KISS’s Gene Simmons) to “fight for his rights” – regardless of the fact that doing so will cost Joel the factory.

With his dry wit and remarkable ear for character and dialogue, Mike Judge brings his trademark “flavor” to these seemingly disparate threads, tying them together into an antic comedy about life in the middle.

Miramax Films presents a 3 Arts Entertainment/Ternion Productions film by Mike Judge. EXTRACT stars Jason Bateman, Kristen Wiig, Ben Affleck, Mila Kunis, J.K. Simmons, David Koechner, Clifton Collins, Jr., T.J. Miller, Beth Grant and Gene Simmons. The film is written and directed by Mike Judge, and is produced by John Altschuler and Michael Rotenberg, executive produced by Dave Krinsky, Tom Lassally and Glenn Lucas, and co-executive produced by Michael Flynn. Director of photography is Tim Suhrsted, and the production designer is Maher Ahmad. Visual Effects by Pixel Magic. Film editor is Julia Wong. Original music for the film composed by George S. Clinton. Distributed by Miramax Films.

Opens September 4th.

Official Site